calupico:

iconam : BOESSERT&SCHORN

illkim:

*squats down to look in the refrigerator* fitness

yeora:

🆙 to the sky ⬆️

cat-pic:

今日は寒いね。うん、夜はみぞれになるらしいよ。数日前の二人。

ett-avtryck-som-sitter:

Keaton Henson interview for The Fader Magazine
Keaton doesn’t like interviews so he answered in drawings

cactuseeds:

"It might not hurt now, but it’s gonna hurt soon."

Submarine, 2010

asylum-art:

NoPlace, Tidens Krav, and UKS in Oslo, Norway 

Photo by Jason Havneraa

Per Kristian Nygård, Not Red But Green, at No Place Gallery

NoPlace is an artist run space organized by Jason Havneraas, Kristian Skylstad, Karen Nikgol, Hans Christian Skovholt, and Petter Buhagen. During Not Red But Green, Per Kristian Nygård constructed and grew an impressive, hilly landscape of grassy mounds, receding mysteriously into an interior room. By estimation, the lawn may have receded thirty feet or so, but illusion stretched this to visually harbor the scale of true hillsides, presenting the viewer with elvish wonderment about process as well as intention. Several small children in attendance had to be warded off from climbing onto the greenway, and this was no wonder, for there was an instinctual and inviting pull from the grass, making one want to depart from the conventions of art viewership. The grass sculpture was grown in entirety from seeds that had been planted two or two-and-a-half weeks earlier, and the mound formations brought to mind Icelandic lore of Huldufólk, or Hidden People, the mythical inhabitants of stones and mounds. I asked Kristian Nygård if there was a connection to this Icelandic lore of the land, and he said not in particular, and rather he’s engaging with what he described as “basic sculpture” (seeds and soil) and “just works in space. ” Simply put, he said he was “trying to make something that doesn’t make sense.” Kristian Nygård also described how undertaking these interior sculptures involve finding out particularities and the labor of becoming “your own assistant and a gardener.” A visceral connection to craft and an open sense of process took hold, eclipsing the end result of production or concept of object.

"There will always be something bigger and better. Even if you get a decent result, you’ll never be able to become ‘The Best’. You’ll fall short somewhere. Despite knowing that, just what sort of motivation is driving all of you to keep at it?!

miruwae:

Sleep trip

61cy:

the growing f/w 2014

chibakotaro:

(c)Kotaro Chiba

Atai-kuyoh

Anonymous: whats your favourite piece of classical music?

rapmonsters:

gee by snsd